Poetry and eBooks –– Why I’m MIA…

10 03 2012

It’s been a long time since my last post, so I thought I would give a quick update to let everyone know what I’ve been doing.

I’m currently working on my final project for the Master of Publishing program at SFU. Without going into too much detail, I’m writing about Poetry and eBooks, and the myriad problems publishers face when putting these two things together.

If you would like to know more about the topic – this article from The Poetry Foundation sums up the problems on which I’m working.

So far I’ve been in contact with many great poets, programmers, designers and publishers. I’ll let you know more as the project progresses. Until then, I hope you’re all well, and if you have any questions, or know of anyone that would be interested in talking to me about this topic, then write me a comment below.





Digital Rights (management) and Knife Fights (piracy)

19 07 2011

Came across this quote from Wil Wheaton, on his website. (You know Wil Wheaton. He was that kid,  Wesley Crusher, from Star Trek the Next Generation and was in the movie Stand By Me. I couldn’t stand him years ago, but he’s grown in to a pretty cool guy).

On his virtual bookshelf he has links and descriptions for the books he has written. I find it refreshing to see that he sells his books DRM free.

Here’s the quote: “It’s DRM-free, because DRM makes me stabby.”

For those who don’t know what DRM is, briefly: It’s the digital locks around ebooks, and other digital content, that keeps you from sharing the content with your friends, using it on “unauthorized devices”, and what makes signing ebooks out of the library so “multi-step”.

I find it refreshing that Wil is open about his anti-DRM stance. As well, J.K. Rowling’s choice to release the ebooks of her Harry Potter series sans  DRM shows that even big authors understand that DRM does not ward off piracy, which publishers worry cannibalizes their sales.

In fact, piracy can increase sales. Just look at the case of Steve Lieber, creator of the graphic novel Underground, after his comic was scanned and distributed on the site, 4chan, his sales increased dramatically.

In actuality, the industry does not understand the effects of piracy on their sales. As a safety measure they put these restraints on their content to protect them – and the consumer, they say -  but in reality it just frustrates the consumer and pushes them to look elsewhere, because they can’t use the digital content they purchased as they would like (which is exactly why previously I refused to buy music from iTunes because I couldn’t put their AAC files on my mp3 player).

In the years to come I hope more authors follow Wheaton, Rowling, and Lieber’s lead and do without DRM. It may take away some sales, but the increased exposure must immeasurably make up for it.





Penguin releases The Classics iPhone app

29 06 2011

Only one choice? Really?

As publishers try to solve the discoverability problem  in the online retail realm (i.e. how do you make your titles stand out when there’s no online bookshelf, like at a real bookstore), Penguin takes its own approach and releases another Iphone app. Rather than focusing on one title, as they did with Jack Kerouac’s On the Road, “The Classics” app houses a complete annotated listing of all their “classics”.

The app will  recommend titles, based on your interests. Allow you to share recommendations with friends, via social media. As well, for those who only play Trivial Pursuit for the “Arts and Literature” questions, there are quizzes that to test your knowledge of Penguin’s Classics.

If you have an iPhone, or iPad, and you love Penguin it’s an easy grab. However, if you can’t stand apps that are so obviously marketing driven, then maybe wait until Penguin releases their next game app, Angry Penguin*.

Penguin releases Classics app | TeleRead: News and views on e-books, libraries, publishing and related topics.

*Note: no such game exists.





eReaders Outselling Tablets

28 06 2011

Tablets V. Ereaders. Who will Win?Interesting little article from Cnet.com about a recent study, by the Princeton Survey Research Associates, that  shows in the US ereaders are outselling tablets. Price, ease of use, ease of reading in the sun, and singularity of focus/function, are factors that would appeal to the main demographic buying ereaders: parents over the age of 65, with incomes over $75,000. In case you’re wondering, Ipads were considered tablets in this study. Still, I would have thought that ownership would be above 10%

I love Graphs

 Pew: E-readers outpacing tablets | Digital Media – CNET News.





Making Books, The Old School Way

20 02 2011

I love the TV show How it’s Made. Understandably, I was very excited when I came across this short film from 1947 on making books.

Some things I learned:

  • “Authors write stories”
  • Stories went straight from the author to the printing shop (apparently publishers or editors weren’t needed).
  • A male employee was called a “workman”.
  • A female employee was called a “girl”.
  • Goggles, and other safety equipment, weren’t required when using a table saw.
  • There were/is a lot of steps involved!

Anyway, it’s very interesting. Enjoy.

 





The real authors behind the celebrity authors – The Globe and Mail

3 02 2011

 

Like we didn’t know it already. Celebrities rarely write their own biographies. The pop star, movie diva, or sports mogul, only needs to provide their name; the ghost writer, editor, and publisher does the rest. The Globe and Mail have an interesting article on the true author behind a celebrity’s book.

The thing you should take away: this happens more than you think – even if the second writer isn’t listed on the cover the book was probably ghost written. Just look at the copyright page, unless it was a work-for-hire project, the “co-writer’s” name will be right next to the celeb’s name.

The obvious next question: did O.J. Simpson really write IF I Did It? No, the ghost writer, Pablo Fenjves, did. Once again, The Juice runs free.

The real authors behind the celebrity authors – The Globe and Mail.





B&N makes redundancies | TheBookseller

23 01 2011

Anyone interested in the fate of traditional publishing should note: Barnes and Noble, the UK’s biggest bookseller, has made up to  fifty positions redundant, in order to “reallocate resources to areas that are expanding, such as digital operations.” When will the ebook be the standard? Hopefully not soon, but everyone is moving that way and it could be sooner than we think. Anwyay, read the short article on Bookseller.com for the full story.





Who Benefits from Self-Publishing?

20 01 2011

self-publishingI often wonder: who really benefits from self-publishing?

Yes, self-publishing can be a good option for those writers who are tired of constant rejection from publishers and agents. In fact, why would anyone use the traditional method of publishing when you can do it yourself, and still get in to the big retail chains.

The main draw of big publishers like Random House and Penguin, besides being able to edit, design, and market the author’s book, is that they are able to get their authors in to Barnes and Noble, Chapters, Borders, and Amazon.com.

However, writers no longer need to wait at publishing’s pearly-gates. Chapters offers a self-publishing service through iuniverse.com. For a modest fee of… ahem…  600 to 4200 dollars anyone can be an author, and listed next to the Dan Browns and John Grishams of the publishing industry, in-store and online. Chapters guarantees it.

But, who has that money? Definitely not writers, at least none of the writers I know. (for them, rent money comes second to beer and the latest iPhone app. Who doesn’t love angry birds?)

Amazon has tried to do Chapters one better. Through createspace.com, authors can design, layout, and create a cover for their books, all for free. Though, unlike iuniverse, this means the author is doing it all themself. Nonetheless, it does allow authors to be sold on the web’s largest online retailer.

But who is actually benefitting? Not the authors. Either way they are spending money. In Chapter’s case, the author is paying for the service. In amazon’s case, the author does not have to pay for the service, but if the author wants their work to be properly edited they will have to pay a freelance editor – and the fees for a good editor would fall in to the same range as iunivere’s fees.

I haven’t been able to see the author’s royalty rates from these sites, but I know there is no way the author would be getting more than a dollar a book*. It is unlikely that a new author will sell the 600 to 4200 copies necessary to cover iuniverse’s fees. A new author selling more than 500 to 1000 copies is a phenomenal success, especially when you consider that in Canada a book is considered a bestseller when it sells 5000 copies.

Besides, from what I saw, there is no mention of a marketing campaign for your book, on either website*. So, it’s great that you’re now a published author, but who is going to know about it? Essentially, these services are publishing’s equivalent of having a party and nobody showing.

In the end, Amazon and Chapters are the big winners. Sure, an author can get their title on the book shelf, but these retail chains don’t offer the support required in order to sell a book.

If I were to give you any advice: continue to shop your book around at the small publishing houses. (Look online, there will be lots in your area – it is a cottage industry after all.) They will take the time to work with you, edit your book, design it, and market it. And the best part is, in the end you both benefit.

*If I’m wrong, I would be happy for you to correct me.





Brands Create Media Outlets Online, Bypassing Magazines – NYTimes.com

17 01 2011

Editorial credibility, once the sole province of old-line publishing houses, is now being bought and paid for by the brands themselves.

via Brands Create Media Outlets Online, Bypassing Magazines – NYTimes.com.





Borders Delays Payments to Publishers

31 12 2010

According to RTTnews, Borders, the United State’s second-largest book retailer, will be delaying payment to some publishers. The move to restructure their payment plans for some of their suppliers is part of an attempt to conserve cash and refinance their debts. The move comes after a 12% decline in the company’s stock.

This is not a good sign for the future of Borders and brick-and-mortar booksellers in general. The industry has been going through a long shift these past years, as ebooks and digital media becomes a stronger presence in the marketplace.

For most publishers this doesn’t bode well either. The ninety-day payment agreement that most booksellers have with publishers is a hard reality of the industry. Borders delaying that Christmas revenue stream for publishers will only mean less working capital at the beginning of the financial year.

Here’s the full article if you want to have a read.








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