5 Books that Won’t Impress a Boy

15 06 2012

Bored BoyI figured I would follow up on my last post, 5 Books that Won’t Impress a Girl, with a list of books that won’t impress a boy.

5. Confessions of a Guidette – Nicole "Snooki" Polizzi. Boys are not fans of celebrity memoirs. Besides, Jersey Shore kids are meant to be watched, not read. So let’s just hide that under the stack of Vanity Fairs, where it should be.

4. Eat, Love, Pray – Elizabeth Gilbert. Not only is this book unrealistic – she gets a book advance large enough to fund a year’s worth of travel and introspection – but we have to watch Julia Roberts in the movie adaptation.

3. A Room of One’s Own – Virginia Woolf. Yes, she is making a timely (written in 1928) and important point about women’s place in fiction, as writers, and the public sphere. But does she have to take so long to say it? I would like to see her and Hemmingway together for coffee.

2. Pride and Prejudice – Jane Austen. Girls read this because they all want a Mr. Darcy. Unfortunately, this puts too much pressure on us boys. The reality is: Colin Firth is not really Mr. Darcy, and most men are not good ballroom dancers. So, please stop asking us to take lessons. 

1. Any Play by Shakespeare – Shakespeare. To be perfectly frank: we can barely understand a sonnet, let alone be able to memorize one and recite it to you under the next pale moon.





5 Books That Won’t Impress a Girl

8 06 2012

Recently I read this article on the Paris Review blog: What Books Impress a Girl.

Rather than add to the conversation, I figured I would add my top 5 books that will never impress a girl. In fact, I’ve received more eye-rolling than amorous adulation from girls when they spotted these titles on my bookshelf:

5. The Death and Life of Superman – Roger Stern. Yes, it’s a book. Yes, I bought this in 92, when he actually “died”. I was quite sad when it happened. Despite that, my partner says, “you’re in your thirties, move on!”

4. Moby Dick – Herman Melville.“Have you seen the great white whale?” Boys like tales of the high-seas,  high-adventure, and revenge. Girls… well, they don’t.

3. Fear and Loathing in Las Vegas – Hunter S. Thompson. A story about drugs, excess, and finding the American dream? Blegh. Girls do not go Gonzo for Gonzo Journalism.

2. Tropic of Cancer or Tropic of Capricorn — Henry Miller. Isn’t he a misogynist? And, aren’t his female characters mere fabrications of a thirteen year-old boy’s dream? Yes. And, sigh, yes.

1. The Twilight series — Stephenie Meyer. What are those doing on your shelf, next to the movies? And what’s with the Robert Pattinson action figure… I think we should talk…





Faulkner and Failure

27 05 2012

William_Faulkner_300During a lovely coffee with a friend, we discussed the process/craft of writing and the reality that no idea is so perfect as when it’s in your head. It reminded me of William Faulkner (The Sound and The Fury, As I Lay Dying) and his interview in The Paris Review. Here’s what he says:

“In my opinion if I could write all my work again, I am convinced that I would do it better, which is the healthiest condition for an artist. That’s why he keeps on working, trying again; he believes each time that this time he will do it, bring it off. Of course he won’t, which is why this condition is healthy. Once he did it, once he matched the work to the image, the dream, nothing would remain but to cut his throat, jump off the other side of that pinnacle of perfection into suicide…”

Well… Here’s to imperfections, and the hope that we’ll always try to do better…





John Steinbeck’s Fear

18 05 2012

John Steinbeck is one of my favourite authors. (“East of Eden”, “Grapes of Wrath”, and “Of Mice and Men” are some of my most-loved books.) Here’s a quote from his 1962 letter to Edith Mirrielees, his creative writing professor at Stanford:

“It is not so very hard to judge a story after it is written, but after many years, to start a story still scares me to death. I will go so far as to say that the writer who is not scared is happily unaware of the remote and tantalizing majesty of the medium. “

I’m always heartened when I learn that even my heroes got scared, even late in their career.

If you’ld like to, read the whole letter here. Letters of Note is a fantastic site.





Poetry and eBooks –– Why I’m MIA…

10 03 2012

It’s been a long time since my last post, so I thought I would give a quick update to let everyone know what I’ve been doing.

I’m currently working on my final project for the Master of Publishing program at SFU. Without going into too much detail, I’m writing about Poetry and eBooks, and the myriad problems publishers face when putting these two things together.

If you would like to know more about the topic – this article from The Poetry Foundation sums up the problems on which I’m working.

So far I’ve been in contact with many great poets, programmers, designers and publishers. I’ll let you know more as the project progresses. Until then, I hope you’re all well, and if you have any questions, or know of anyone that would be interested in talking to me about this topic, then write me a comment below.





Parity and Pearl Jam

28 09 2011

The strength of the Canadian dollar (or is it the weakness of the American dollar?) has finally reached the American book trade.

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I recently bought-in to all the Pearl Jam twentieth-anniversary hype and bought PEARL JAM twenty, the commemorative book. What I found most surprising — other than the realization of just how much these once vehemently anti-capitalist musicians are actually cashing-in on their twenty years as a band — is that the American and Canadian prices are equal!

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I wonder how long this has been happening. Perhaps Canadian book publishers were noticing Canadian consumers were heading south to buy their books at a cheaper price, thanks to parity, and complained. Or American publisher noticed their Canadian book sales were down.

Either way, I would like to have been in the board meeting at Simon and Schuster (the publisher of PJ20) when they made that decision. I guess that kind of makes me boring.

Anyway, Happy Anniversary PJ!

Oh, and Lukin is the best song in PJ’s catalogue.

“I’m going to Lukin’s…”





How I evolved as a Reader

25 09 2011

phonebookMy connection to books has changed greatly over the years. When I first started reading seriously (by that I mean reading literature) I refused to mark a book. I would have rather cut my own arm with a plastic picnic knife than dog ear a page, or underline a passage in a book. The edition didn’t matter. A small pocket paperback was just as sacred as a first-edition hard cover. No matter the format, they all had to look good on the shelf.

Gradually things began to change. It started with a dot. I would take a pencil and put a small, barely visible, point at the start of a poignant passage, then another at the end. To mark the page, I would tear up small pieces of paper, newsprint, post-it notes, whatever was nearby, and use that to save the place. My rational was that I could always erase the pencil mark, and the paper could always be removed.

Then, as time went on and I read more, I had a kind of epiphany. It may seem obvious to many, but to me it shook me harder than my older brother when I was seven. A book’s value isn’t in it’s form. Its value is in the ideas, stories and characters it contains. So long I harboured the illusion that my books were like trading cards, the more “mint” they were the higher their value.

Then I realized that a book’s value can only be reaped by harvesting its fruit (not to sound trite), and to do that you have to till the field. And that means, marking the pages, writing in the margins, underlining passages, and even taking the corner of a page and folding it inward.

Despite my inner struggle, I started “defacing” my books, even brand new ones. It was hard, but liberating. And the value was: it allowed me to engage with the book more. I reread passages. I noted my thoughts, even reflected on life. In a way, I was able to understand myself better by putting myself – my thoughts, ideas, and marks – in my books.

Now, my books have more marked pages than a New York phone-booth’s Yellow Pages in the 70’s.

The best part is,  now I quite often revisit books and look through my reading trail. This not only helps remind me of why I liked the book, but it also helps me to understand why I connected with the ideas, characters and story.

Basically, in order for me to evolve as a reader I had to get past the idea that a book, as an object, is sacred and should be left untouched. To really understand a book you have to interact with it. Just like the author, you have to take your pencil and put it to paper – then you’ll have a real conversation with the writer, the book, and yourself – and then you’ll find the true value of a book. 








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